999,00 €

1 722,41 €

Spletna stran proizvajalca PRESONUSThe PreSonus StudioLive RM16AI is a 32-channel Digital Rack Mount Mixer, with a 4U Chassis. Based on the StudioLive AI-series mix engine and controlled with battle-ready UC Surface software for Mac, Windows, and iOS, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration digital mixers are scalable, compact, and 100 percent recallable. PreSonus UC Surface control software for Mac, Windows, and iPad was carefully designed for intuitive and quick performance in a live mixing environment but also serves well in the studio. StudioLive RM-series mixers are based on Active Integration (AI), a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system interacts to enhance the user experience and solve practical problems in ways not previously possible. PreSonus StudioLive RM-series mixers are tightly integrated with a suite of free, state-of-the-art software that helps you mix and record better and have more fun doing it. No other mixer near this price class offers comparable software. PreSonus StudioLive RM-series digital mixers’ Active Integration technology includes powerful real-time, direct, wired and Wi-Fi remote control over a variety of features, using free Mac, Windows, and iOS software. If a StudioLive RM mixer were an analog console, it would have 4-foot-long channel strips packed with knobs and buttons or it would require a massive outboard rack of expensive signal processors! Instead, all that processing fits in three (RM16AI) or four (RM32AI) rack spaces under software control. Two 32-bit stereo effects engines on dedicated buses, loaded with reverbs so rich and detailed that you feel like you're there. Two more with delay effects that you can really use. Use all four without compromising other resources. View the front of a StudioLive RM-series rack-mount mixer, and you’ll see a straightforward jackfield with XLR channel inputs, XLR mix outputs, and other important connections. Getting a great-sounding mix depends in part on how good the mixer’s components are and how well the algorithms perform. That’s especially true with RM Series analog (but digitally recallable) XMAX mic preamps. With UC Surface, it’s very quick and easy to save all of your StudioLive RM settings for quick setup and recall—unlike some digital mixers. Powerful networking and wireless remote control is great—but what if someone tries to hack into your Wi-Fi system and take control of the show or that jokester bass player tries to use his iPhone to mess with the lead singer’s monitor mix? That depends on how many inputs and outputs you need. PreSonus currently make two models, the StudioLive RM16AI and RM32AI. The only differences are the number of channel inputs and Mix outputs, channel activity LEDs, and DB25 connectors that mirror the Mix outputs. Otherwise, the two models are identical. The main features of the PreSonus StudioLive RM16AI include: Fully recallable digital mixer 16 locking XLR inputs, each with: Recallable XMAX Class A mic preamps +48V phantom power Stereo tape input (RCA jacks) 8 XLR line-level Mix outputs Four 300 ms alignment delays on the last four Mix outputs 1 DB25 jacks mirror 8 line-level Mix outputs 3 XLR main outputs (left, right, mono/centre) with analog trim pots S/PDIF digital output on removable option card Headphone output with volume knob and selectable source 1x1 MIDI I/O (for future implementation) 32 internal channels 25 mix buses 16 aux mix buses 3 main mix buses (left, right, mono/center) Stereo solo bus 4 internal FX buses (2 reverb, 2 delay) Fully integrated, continuously bidirectional, 52-in/34-out, FireWire 800 direct recording interface (24-bit, 44.1/48/88.2/96 kHz) Designed specifically for live sound mixing Multiplatform support for Mac, Windows, and iPad Windows 8 multi-touch-compatible for large touchscreen mixing Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination Contextual-based navigation for quick, intuitive access to all mixing functions 8 Mute Groups with All On and All Off Scene Store and Recall Global Scene Storage: all current StudioLive RM settings Up to 99 at a time 8 Quick Scenes for instant scene save/recall—like “speed dial” for scenes Automatic Global AutoStore Customizable naming (for example, "Saturday Gig" or "Main Worship Service") Individual channel-strip setting storage Up to 100 at a time, plus… 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals Copy and paste among channels and buses Can be saved as user presets Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more) Individual channel-strip setting storage Up to 100 at a time, plus… 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals Copy and paste among channels and buses Can be saved as user presets Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more) Security features to monitor and restrict access to the mixer’s controls Capture one-click recording software with true virtual soundcheck (Mac/Windows) Studio One Artist full-featured digital audio workstation software (Mac/Windows) QMix-AI wireless monitor-mix control from an iPhone/iPod touch Nimbit online “direct to fan” marketing, sales, and distribution service USB jack and included Wi-Fi LAN adapter provides direct wireless control (using a router) Option card slot for future expansion 2 FireWire S800 ports and 1 Ethernet control port on removable option card Thunderbolt, Dante, and AVB cards coming soon Dual Fat Channel signal processing on all channels and buses with: Variable highpass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only) Variable lowpass filter on the mono/center bus 4-band fully parametric EQ Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0 High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0 High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking Master EQ On/Off Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=?:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function Limiter: Variable Threshold -28 dBfs to 0, ?:1 Ratio Pan Stereo link for input channels and aux buses Polarity reverse (input channels only) Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus 15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses) 4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses 32 LED meter grid Front-panel Mute All button temporarily mutes all inputs and outputs +48V Meters button to display phantom power assignment on the meter grid Headphone source selection between Main and Cue High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range) Unlimited-headroom, 32-bit floating point, digital mixing and effects processing Internal sample frequency 44.1, 48, 88.2, 96 kHz 3U rack-mount steel chassis

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